by Lind » Wed Feb 07, 2007 1:22 pm
Hi listeners,
I'm late to this thread. I see it's been running for a while. Just want to quell some of the speculation here.
This is the story:
I gave RPM all the master tapes I had. Some of them were usable and some weren't. So they did indeed lift some of the tracks from the vinyl. I'm not sure which ones were vinylized and which were taken from tapes.
But they have devices and implements I know not of that are great at removing that hiss. So I agree with Susanne, the sound is probably the best it can be.
Nonetheless, piedmontpaul, your ears are not deceiving you.
After I gave them the tapes, I stayed the hell out of it. I don't understand the mechancs of sound recording. My job, as I see it, is to write, sing and play with as much heart as I can draw out of me. I do that and I let the engineeers do what they do.
The important exceptions in this tapes/vinyl issue are the bonus tracks. None of them even existed on vinyl.
Tom Hartman painstakingly and skillfully mixed and mastered all but "I Found You" (The only available version of that one was a premixed quarter-inch tape.)
It was a labor of love for Tom. RPM paid him a set amount for his time, and he went well over what he was paid for out of sheer passion for the songs. When I heard the rough, unmixed version of "Colorado Line" I told him not to even bother. I told him I didn't think there was any hope for it.
He urged me to let him take a stab at it.
Sure enough he amazed me by putting it together like new.
I think he did a masterful job on all four of the tunes. And he has my deepest gratitude.
So there you pretty much have it.
Hi listeners,
I'm late to this thread. I see it's been running for a while. Just want to quell some of the speculation here.
This is the story:
I gave RPM all the master tapes I had. Some of them were usable and some weren't. So they did indeed lift some of the tracks from the vinyl. I'm not sure which ones were vinylized and which were taken from tapes.
But they have devices and implements I know not of that are great at removing that hiss. So I agree with Susanne, the sound is probably the best it can be.
Nonetheless, piedmontpaul, your ears are not deceiving you.
After I gave them the tapes, I stayed the hell out of it. I don't understand the mechancs of sound recording. My job, as I see it, is to write, sing and play with as much heart as I can draw out of me. I do that and I let the engineeers do what they do.
The important exceptions in this tapes/vinyl issue are the bonus tracks. None of them even existed on vinyl.
Tom Hartman painstakingly and skillfully mixed and mastered all but "I Found You" (The only available version of that one was a premixed quarter-inch tape.)
It was a labor of love for Tom. RPM paid him a set amount for his time, and he went well over what he was paid for out of sheer passion for the songs. When I heard the rough, unmixed version of "Colorado Line" I told him not to even bother. I told him I didn't think there was any hope for it.
He urged me to let him take a stab at it.
Sure enough he amazed me by putting it together like new.
I think he did a masterful job on all four of the tunes. And he has my deepest gratitude.
So there you pretty much have it.